Publications

SensiLab's diverse and practice-led research is published in both traditional and non-traditional outlets.
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    Alon Ilsar, Matthew Hughes and Andrew Johnston (2020). NIME or Mime : A Sound-First Approach to Developing an Audio-Visual Gestural Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. Proceedings of 20th International Conference on New Interfaces for Musical Expression.
    Sensory Interactive Space
    Simon Colton, Jon McCormack, Sebastian Berns, Elena Petrovskaya and Michael Cook (2020). Adapting and Enhancing Evolutionary Art for Casual Creation. In J. Romero, A. Ekárt, T. Martins, & J. Correia (Eds.), Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2020 (Vol. 12103). Cham: Springer. https://doi.org/https://doi.org/10.1007/978-3-030-43859-3_2
    Creative AI
    Alon Ilsar and Matthew Hughes (2020). Harmony across Music, Visuals and Movement in a New Audio-Visual Gestural Performance. In Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction (pp. 625–630). Sydney NSW, Australia: Association for Computing Machinery. https://doi.org/10.1145/3374920.3375283
    Sensory Interactive Space
    Alon Ilsar and Matthew Hughes (2020). A New Audio-Visual Gestural Instrument for Unlocking Creativity. In Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems (pp. 1–4). Honolulu, HI, USA: Association for Computing Machinery. https://doi.org/10.1145/3334480.3383160
    Sensory Interactive Space
    Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease and Simon Colton (2020). Explainable Computational Creativity. Proceedings of the Eleventh International Conference on Computational Creativity, ICCC’20.
    Creative AI
    Alon Ilsar and Gail Kenning (2020). Inclusive improvisation through sound and movement mapping : from DMI to ADMI. Proceedings of the International ACM SIGACCESS Conference on Computers and Accessibility.
    Sensory Interactive Space
    Sojung Bahng, Ryan M Kelly and Jon McCormack (2020). Reflexive VR Storytelling Design Beyond Immersion: Facilitating Self-Reflection on Death and Loneliness. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems (pp. 1–13).
    media futures
    Nina Rajcic and Jon McCormack (2020). Mirror Ritual: An Affective Interface for Emotional Self-Reflection. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems, 1-13. ACM.
    Summary video. Presentation video.
    Creative AI
    Nina Rajcic and Jon McCormack (2020). Mirror Ritual: Human-Machine Co-Construction of Emotion. Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction, 697-702 (pp. 697–702). ACM. https://doi.org/10.1145/3374920.3375293
    Summary video.
    Creative AI
    Nina Rajcic and Jon McCormack (2020). Mirror Ritual. (T. Schiphorst, D. T. Tillman, & K. Cochrane, Eds.). ACM. https://doi.org/10.1145/3374920.3375293
    Creative AI
    Sojung Bahng, Nina Rajcic, Jon McCormack and Sungeun Lee (2020). Sleeping Eyes: Experiencing Narcolepsy Through the Duality of Virtual Embodiment. Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction (pp. 639–645).
    media futures
    Maria Teresa Llano and Jon McCormack (2020). Existential Risks of Co-Creative Systems. Proceedings of the Workshop on the Future of Co-Creative Systems. Collocated with the Eleventh International Conference on Computational Creativity, ICCC’20.
    Creative AI
    Rebecca Louise Clarke (2020). The Mother Archive: Immersion, Affect and the Maternal in Museum Practice. Lilith: A Feminist History Journal, 26, 57-79.
    media futures
    Jon McCormack, Patrick Hutchings, Toby Gifford, Matthew Yee-King, Maria Teresa Llano and Mark d'Inverno (2020). Design Considerations for Real-Time Collaboration with Creative Artificial Intelligence. Organised Sound, 25(1), 41-52. Cambridge University Press. https://doi.org/10.1017/S1355771819000451
    Creative AI
    Jon McCormack and Andy Lomas (2020, October). Deep learning of individual aesthetics. Neural Computing and Applications. Springer, Cham. https://doi.org/https://doi.org/10.1007/s00521-020-05376-7
    Arxiv preprint. Dataset on GitHub.
    Creative AI
    Programmable Matter
    Jon McCormack and Andy Lomas (2020). Understanding Aesthetic Evaluation Using Deep Learning. (J. Romero, A. Ekárt, T. Martins, & J. Correia, Eds.), Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2020, 12103, 118-133. Springer, Cham. https://doi.org/https://doi.org/10.1007/978-3-030-43859-3_9
    Arxiv preprint. Video presentation.
    Creative AI
    Programmable Matter
    Simon Colton, Alison Pease, Christian Guckelsberger, Jon McCormack and Maria Teresa Llano (2020). On the Machine Condition and its Creative Expression. Proceedings of the Eleventh International Conference on Computational Creativity, ICCC 2020, Coimbra, Portugal, September 7-11, 2020., 342-349 Retrieved from http://computationalcreativity.net/iccc20/papers/075-iccc20.pdf
    Video presentation.
    Creative AI
    Simon Colton, Jon McCormack, Michael Cook and Sebastian Berns (2020). Creativity Theatre for Demonstrable Computational Creativity. Proceedings of the Eleventh International Conference on Computational Creativity, ICCC 2020, Coimbra, Portugal, September 7-11, 2020., 288-291 Retrieved from http://computationalcreativity.net/iccc20/papers/161-iccc20.pdf
    Video presentation.
    media futures
    Creative AI
    Jon McCormack, Toby Gifford, Patrick Hutchings, Maria Teresa Llano, Matthew Yee-King and Mark d'Inverno (2019, May). In a Silent Way: Communication Between AI and Improvising Musicians Beyond Sound. (A. Dey & S. Zhao, Eds.), Proceeding of ACM SIGCHI 2019. New York, NY: ACM. https://doi.org/https://doi.org/10.1145/3290605.3300268
    Summary video. Presentation video.
    Creative AI
    Sojung Bahng, Toby Gifford and Jon McCormack (2019). Anonymous: VR Storytelling through alienation and reflexivity. Proceedings of the 25th International Symposium on Electronic Art, 120-127 (pp. 120–127).
    media futures