SensiLab's diverse and practice-led research is published in both traditional and non-traditional outlets.
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    Alon Ilsar and Gail Kenning (2020). Inclusive improvisation through sound and movement mapping : from DMI to ADMI. Proceedings of the International ACM SIGACCESS Conference on Computers and Accessibility.
    Alon Ilsar, Matthew Hughes and Andrew Johnston (2020). NIME or Mime : A Sound-First Approach to Developing an Audio-Visual Gestural Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. Proceedings of 20th International Conference on New Interfaces for Musical Expression.
    Alon Ilsar and Matthew Hughes (2020). Harmony across Music, Visuals and Movement in a New Audio-Visual Gestural Performance. In Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction (pp. 625–630). Sydney NSW, Australia: Association for Computing Machinery.
    Alon Ilsar and Matthew Hughes (2020). A New Audio-Visual Gestural Instrument for Unlocking Creativity. In Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems (pp. 1–4). Honolulu, HI, USA: Association for Computing Machinery.
    Alon Ilsar and Matthew Hughes (2018). Trigger Happy Visualised.
    Camilo Cruz Gambardella, Justyna Karakiewikz and Michael Kirley (2016). Towards the implementation of a composite cellular automata model for the exploration of design space. In S. Chien, S. Choo, M. A. Schnabel, W. Nakapan, M. Kim, & S. Roudavski (Eds.), CAADRIA 2016 (pp. 187–196). CAADRIA.
    Camilo Cruz Gambardella, Michael Kirley and Justyna Karakiewicz (2017). Generation and exploration of architectural form using a composite cellular automata. In Australasian Conference on Artificial Life and Computational Intelligence (pp. 99–110). Springer.
    Jon McCormack, Oliver Bown, Alan Dorin, Jonathan McCabe, Gordon Monro and Mitchell Whitelaw (2014). Ten Questions Concerning Generative Computer Art. Leonardo, 47(2), 135–141.
    Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease and Simon Colton (2020). Explainable Computational Creativity.
    Simon Colton, Jon McCormack, Sebastian Berns, Elena Petrovskaya and Michael Cook (2020). Adapting and Enhancing Evolutionary Art for Casual Creation. In J. Romero, A. Ekárt, T. Martins, & J. Correia (Eds.), Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2020 (Vol. 12103). Cham: Springer.
    Stanislav Roudavski and Jon McCormack (2016). Post-anthropocentric creativity. Digital Creativity, 27(1), 3–6.