Publications

SensiLab's diverse and practice-led research is published in both traditional and non-traditional outlets.
Add filter
By author
By tag
    Sort by: Author Name
    Author Name
    Date - Newest
    Date - Oldest
    Publication
    Title
    Alon Ilsar, Matthew Hughes and Andrew Johnston (2020). NIME or Mime : A Sound-First Approach to Developing an Audio-Visual Gestural Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. Proceedings of 20th International Conference on New Interfaces for Musical Expression.
    Sensory Interactive Space
    Simon Colton, Jon McCormack, Sebastian Berns, Elena Petrovskaya and Michael Cook (2020). Adapting and Enhancing Evolutionary Art for Casual Creation. In J. Romero, A. Ekárt, T. Martins, & J. Correia (Eds.), Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2020 (Vol. 12103). Cham: Springer. https://doi.org/https://doi.org/10.1007/978-3-030-43859-3_2
    Creative AI
    Alon Ilsar and Matthew Hughes (2020). Harmony across Music, Visuals and Movement in a New Audio-Visual Gestural Performance. In Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction (pp. 625–630). Sydney NSW, Australia: Association for Computing Machinery. https://doi.org/10.1145/3374920.3375283
    Sensory Interactive Space
    Alon Ilsar and Matthew Hughes (2020). A New Audio-Visual Gestural Instrument for Unlocking Creativity. In Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems (pp. 1–4). Honolulu, HI, USA: Association for Computing Machinery. https://doi.org/10.1145/3334480.3383160
    Sensory Interactive Space
    Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease and Simon Colton (2020). Explainable Computational Creativity. Proceedings of the Eleventh International Conference on Computational Creativity, ICCC’20.
    Alon Ilsar and Gail Kenning (2020). Inclusive improvisation through sound and movement mapping : from DMI to ADMI. Proceedings of the International ACM SIGACCESS Conference on Computers and Accessibility.
    Sensory Interactive Space
    Sojung Bahng, Ryan M Kelly and Jon McCormack (2020). Reflexive VR Storytelling Design Beyond Immersion: Facilitating Self-Reflection on Death and Loneliness. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems (pp. 1–13).
    media futures
    Nina Rajcic and Jon McCormack (2020). Mirror Ritual: An Affective Interface for Emotional Self-Reflection. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems, 1-13. ACM.
    Summary video. Presentation video.
    Creative AI
    Nina Rajcic and Jon McCormack (2020). Mirror Ritual: Human-Machine Co-Construction of Emotion. Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction, 697-702 (pp. 697–702). ACM. https://doi.org/10.1145/3374920.3375293
    Summary video.
    Creative AI
    Nina Rajcic and Jon McCormack (2020). Mirror Ritual. (T. Schiphorst, D. T. Tillman, & K. Cochrane, Eds.). ACM. https://doi.org/10.1145/3374920.3375293
    Creative AI
    Sojung Bahng, Nina Rajcic, Jon McCormack and Sungeun Lee (2020). Sleeping Eyes: Experiencing Narcolepsy Through the Duality of Virtual Embodiment. Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction (pp. 639–645).
    media futures
    Maria Teresa Llano and Jon McCormack (2020). Existential Risks of Co-Creative Systems. Proceedings of the Workshop on the Future of Co-Creative Systems. Collocated with the Eleventh International Conference on Computational Creativity, ICCC’20.
    Creative AI
    Jon McCormack, Toby Gifford, Patrick Hutchings, Maria Teresa Llano, Matthew Yee-King and Mark d'Inverno (2019). In a Silent Way: Communication Between AI and Improvising Musicians Beyond Sound. In A. Dey & S. Zhao (Eds.), Proceeding of ACM SIGCHI 2019. New York, NY: ACM. https://doi.org/https://doi.org/10.1145/3290605.3300268
    Summary video. Presentation video.
    Sojung Bahng, Toby Gifford and Jon McCormack (2019). Anonymous: VR Storytelling through alienation and reflexivity. Proceedings of the 25th International Symposium on Electronic Art, 120-127 (pp. 120–127).
    media futures
    Jon McCormack, Toby Gifford and Patrick Hutchings (2019). Autonomy, Authenticity, Authorship and Intention in Computer Generated Art. (Ek\’art, Anik, A. Liapis, & Castro Pena, Mar\’\ia Luz, Eds.), Computational Intelligence in Music, Sound, Art and Design. EvoMUSART 2019., 11453, 35-50 Springer, Cham. https://doi.org/10.1007/978-3-030-16667-0_3
    Alon Ilsar and Matthew Hughes (2018). Trigger Happy Visualised.
    Sensory Interactive Space
    Sojung Bahng (2018). Cinematic VR as a Reflexive Tool for Critical Empathy. International Conference on Interactive Digital Storytelling (pp. 363–366).
    media futures
    Camilo Cruz Gambardella, Michael Kirley and Justyna Karakiewicz (2017). Generation and exploration of architectural form using a composite cellular automata. In Australasian Conference on Artificial Life and Computational Intelligence (pp. 99–110). Springer.
    Programmable Matter
    Jon McCormack (2017). Working with Generative Systems: an artistic perspective. (J. Bowen, N. Lambert, & G. Diprose, Eds.), Electronic Visualisation and the Arts (EVA 2017) (pp. 213–218). BCS Learning and Development Ldt.
    Stanislav Roudavski and Jon McCormack (2016). Post-anthropocentric creativity. Digital Creativity, 27(1), 3–6.