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    Jon McCormack and Elliott Wilson (2024). Holon: a cybernetic interface for bio-semiotics. Proceedings of the 29th International Symposium on Electronic Art (ISEA 2024). Meanjin (Brisbane), Australia.
    Arxiv preprint: https://arxiv.org/abs/2404.03894
    media futures
    Programmable Matter
    Sensory Interactive Space
    Jon McCormack and Monika Schwarz (2024). Piecing Generative Patterns Into Contemporary Quilts. (P. Martins & M. T. Llano, Eds.), Proceedings of ICCC’24, the 15th International Conference on Computational Creativity. Jönköping: ICCC.
    Programmable Matter
    Meng Yang, Maria Teresa Llano and Jon McCormack (2024). Exploring Real-Time Music-to-Image Systems for Creative Inspiration in Music Creation. (P. Martins & M. T. Llano, Eds.), Proceedings of ICCC’24, the 15th International Conference on Computational Creativity. Jönköping, Sweden: ICCC.
    media futures
    Creative AI
    Jon McCormack and Tace McNamara (2024). The Creative Act as AI Research. (P. Martins & M. T. Llano, Eds.), Proceedings of ICCC’24, the 15th International Conference on Computational Creativity. Jönköping, Sweden.
    Creative AI
    Jon McCormack, Elliott Wilson, Nina Rajcic and Maria Teresa Llano (2024). Memetic Poet. (P. Martins & M. T. Llano, Eds.), Proceedings of ICCC’24, the 15th International Conference on Computational Creativity. Jönköping, Sweden: ICCC.
    Creative AI
    Nina Rajcic, Maria Teresa Llano Rodriguez and Jon McCormack (2024). Towards a Diffractive Analysis of Prompt-Based Generative AI. Proceedings of the CHI Conference on Human Factors in Computing Systems. Honolulu, HI, USA: Association for Computing Machinery. https://doi.org/10.1145/3613904.3641971
    Creative AI
    Jon McCormack (2024). Autonomy, Intention, Performativity: Navigating the AI divide. (R. A. Trillo & M. Poliks, Eds.), Choreomata: Performance and Performativity after AI, 240-257. Boca Raton, FL, USA: CRC Press.
    Publisher's website.
    Creative AI
    Jon McCormack, Maria Teresa Llano, Stephen Krol and Nina Rajcic (2024). No Longer Trending on Artstation: Prompt Analysis of Generative AI Art. (C. Johnson, Ed.), EvoMUSART 2024, LNCS 14633, 279-295. Cham: Springer.
    Preprint available on arxiv.
    Creative AI
    Monika Schwarz, Kim Marriott, Jon McCormack and Hamish Maxwell-Stewart (2023). A Stitch in Time: Using Data Embroidery to Tell Australian Convict Stories. 2023 IEEE 8th Workshop on Visualization for the Digital Humanities (VIS4DH), 1-6. https://doi.org/10.1109/VIS4DH60378.2023.00006
    Monika Schwarz (2023). “Round ring on the floor” - Collective resistance networks in female factories. Australian Journal of Biography and History, 175-196. https://doi.org/10.22459/AJBH.07.2023.10
    Jon McCormack, Camilo Cruz Gambardella and Stephen Krol (2023). Creative Discovery Using Quality-Diversity Search. Proceedings of the Companion Conference on Genetic and Evolutionary Computation, 747-750. Lisbon, Portugal: Association for Computing Machinery. https://doi.org/10.1145/3583133.3590567

    Paper available for download at https://dl.acm.org/doi/10.1145/3583133.3590567. Arxiv preprint: https://arxiv.org/abs/2305.04462.

    Creative AI
    Nina Rajcic and Jon McCormack (2023). Message Ritual: A Posthuman Account of Living with Lamp. Proceedings of the 2023 CHI Conference on Human Factors in Computing Systems. Hamburg, Germany: Association for Computing Machinery. https://doi.org/10.1145/3544548.3581363
    Paper on ACM digital library. Arxiv preprint.
    Creative AI
    Sensory Interactive Space
    Jon McCormack, Camilo Cruz Gambardella, Nina Rajcic, Stephen James Krol, Maria Teresa Llano and Meng Yang (2023). Is Writing Prompts Really Making Art? (C. Johnson, N. Rodríguez-Fernández, & S. M. Rebelo, Eds.), Artificial Intelligence in Music, Sound, Art and Design, 196-211. Cham: Springer Nature Switzerland.
    Arxiv preprint.
    Creative AI
    Jon McCormack and Natalie Alima (2021). Organism-Machine Hybrids. (P. Machado, J. Romero, & G. Greenfield, Eds.), Artificial Intelligence and the Arts. Computational Synthesis and Creative Systems, 363-381. Cham: Springer.
    Creative AI
    Programmable Matter
    Jon McCormack, Jonathan C. Roberts, Benjamin Bach, Carla Dal Sasso Freitas, Takayuki Itoh, Christophe Hurter and Kim Marriott (2018). Multisensory immersive analytics. (K. Marriott, F. Schreiber, T. Dwyer, K. Klein, N. H. Riche, T. Itoh, … B. H. Thomas, Eds.), Immersive Analytics, 57-94. Cham: Springer.
    Sensory Interactive Space
    Jon McCormack and Camilo Cruz Gambardella (2022, December 1). Complexity and aesthetics in generative and evolutionary art. Genetic Programming and Evolvable Machines, 23(4), 535-556. https://doi.org/10.1007/s10710-022-09429-9
    Creative AI
    Stephen James Krol, Maria Teresa Llano and Chatai Goncu (2021). Framing through music: a pilot study. (Gomez de Silva Garza, Andres, T. Veale, W. Aguilar, & Perez y Perez, Rafael, Eds.), Proceedings of the 12th International Conference on Computational Creativity, ICCC ’21. Association for Computational Creativity (ACC). Retrieved from https://computationalcreativity.net/iccc21/proceedings/
    Creative AI
    Nina Rajcic (2022). Posthuman Rituals. PhD thesis. Faculty of Information Technology, Monash University.
    Creative AI
    Sam Trolland, Ciaran Frame, Jon McCormack, Alon Ilsar and Elliott Wilson (2022). AirSticks 2.0: Instrument Design for Expressive Gestural Interaction. NIME 2022. https://doi.org/10.21428/92fbeb44.c400bdc2
    Sensory Interactive Space
    Jon McCormack and Camilo Cruz Gambardella (2022). Quality-Diversity for Aesthetic Evolution. (T. Martins, N. Rodríguez-Fernández, & S. M. Rebelo, Eds.), Artificial Intelligence in Music, Sound, Art and Design, 369-384. Cham: Springer International Publishing.
    Creative AI
    Programmable Matter