Trudy Cowley, Lucy Frost, Kris Inwood, Rebecca Kippen, Hamish Maxwell-Stewart, Monika Schwarz, John Shepherd, Richard Tuffin, Mark Williams, John Wilson and Paul Wilson (2021). Reconstructing a Longitudinal Dataset for Tasmania. (P. Puschmann & L. Quaranta, Eds.), Historical Life Course Studies, August.
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Stephen James Krol, Maria Teresa Llano and Chatai Goncu (2021). Framing through music: a pilot study. (Gomez de Silva Garza, Andres, T. Veale, W. Aguilar, & Perez y Perez, Rafael, Eds.), Proceedings of the 12th International Conference on Computational Creativity, ICCC ’21. Association for Computational Creativity (ACC). Retrieved from https://computationalcreativity.net/iccc21/proceedings/
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Jon McCormack and Natalie Alima (2021). Organism-Machine Hybrids. (P. Machado, J. Romero, & G. Greenfield, Eds.), Artificial Intelligence and the Arts. Computational Synthesis and Creative Systems, 363-381. Cham: Springer.
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Alon Ilsar, Matthew Hughes and Andrew Johnston (2020). NIME or Mime : A Sound-First Approach to Developing an Audio-Visual Gestural Instrument. Proceedings of the International Conference on New Interfaces for Musical Expression. Proceedings of 20th International Conference on New Interfaces for Musical Expression.
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Simon Colton, Jon McCormack, Sebastian Berns, Elena Petrovskaya and Michael Cook (2020). Adapting and Enhancing Evolutionary Art for Casual Creation. In J. Romero, A. Ekárt, T. Martins, & J. Correia (Eds.), Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2020 (Vol. 12103). Cham: Springer. https://doi.org/https://doi.org/10.1007/978-3-030-43859-3_2
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Alon Ilsar and Matthew Hughes (2020). Harmony across Music, Visuals and Movement in a New Audio-Visual Gestural Performance. In Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction (pp. 625–630). Sydney NSW, Australia: Association for Computing Machinery. https://doi.org/10.1145/3374920.3375283
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Alon Ilsar and Matthew Hughes (2020). A New Audio-Visual Gestural Instrument for Unlocking Creativity. In Extended Abstracts of the 2020 CHI Conference on Human Factors in Computing Systems (pp. 1–4). Honolulu, HI, USA: Association for Computing Machinery. https://doi.org/10.1145/3334480.3383160
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Maria Teresa Llano, Mark d'Inverno, Matthew Yee-King, Jon McCormack, Alon Ilsar, Alison Pease and Simon Colton (2020). Explainable Computational Creativity. Proceedings of the Eleventh International Conference on Computational Creativity, ICCC’20.
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Alon Ilsar and Gail Kenning (2020). Inclusive improvisation through sound and movement mapping : from DMI to ADMI. Proceedings of the International ACM SIGACCESS Conference on Computers and Accessibility.
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Sojung Bahng, Ryan M Kelly and Jon McCormack (2020). Reflexive VR Storytelling Design Beyond Immersion: Facilitating Self-Reflection on Death and Loneliness. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems (pp. 1–13).
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Nina Rajcic and Jon McCormack (2020). Mirror Ritual: An Affective Interface for Emotional Self-Reflection. Proceedings of the 2020 CHI Conference on Human Factors in Computing Systems, 1-13. ACM.
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Nina Rajcic and Jon McCormack (2020). Mirror Ritual: Human-Machine Co-Construction of Emotion. Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction, 697-702 (pp. 697–702). ACM. https://doi.org/10.1145/3374920.3375293
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Nina Rajcic and Jon McCormack (2020). Mirror Ritual. (T. Schiphorst, D. T. Tillman, & K. Cochrane, Eds.). ACM. https://doi.org/10.1145/3374920.3375293
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Sojung Bahng, Nina Rajcic, Jon McCormack and Sungeun Lee (2020). Sleeping Eyes: Experiencing Narcolepsy Through the Duality of Virtual Embodiment. Proceedings of the Fourteenth International Conference on Tangible, Embedded, and Embodied Interaction, 639-645 (pp. 639–645).
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Maria Teresa Llano and Jon McCormack (2020). Existential Risks of Co-Creative Systems. Proceedings of the Workshop on the Future of Co-Creative Systems. Collocated with the Eleventh International Conference on Computational Creativity, ICCC’20.
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Rebecca Louise Clarke (2020). The Mother Archive: Immersion, Affect and the Maternal in Museum Practice. Lilith: A Feminist History Journal, 26, 57-79.
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Jon McCormack, Patrick Hutchings, Toby Gifford, Matthew Yee-King, Maria Teresa Llano and Mark d'Inverno (2020). Design Considerations for Real-Time Collaboration with Creative Artificial Intelligence. Organised Sound, 25(1), 41-52. Cambridge University Press. https://doi.org/10.1017/S1355771819000451
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Jon McCormack and Andy Lomas (2020, October). Deep learning of individual aesthetics. Neural Computing and Applications, 33(1), 3-17. Springer, Cham. https://doi.org/https://doi.org/10.1007/s00521-020-05376-7
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Jon McCormack and Andy Lomas (2020). Understanding Aesthetic Evaluation Using Deep Learning. (J. Romero, A. Ekárt, T. Martins, & J. Correia, Eds.), Artificial Intelligence in Music, Sound, Art and Design. EvoMUSART 2020, 12103, 118-133. Springer, Cham. https://doi.org/https://doi.org/10.1007/978-3-030-43859-3_9
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Simon Colton, Alison Pease, Christian Guckelsberger, Jon McCormack and Maria Teresa Llano (2020). On the Machine Condition and its Creative Expression. Proceedings of the Eleventh International Conference on Computational Creativity, ICCC 2020, Coimbra, Portugal, September 7-11, 2020., 342-349 Retrieved from http://computationalcreativity.net/iccc20/papers/075-iccc20.pdf
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