27 November 2024 @ 3:00 pm

Simon Penny

Skill, intelligence, embodiment – what does it mean to learn?

I am attempting to build a non-dualist theory of skill. Non-dualist in the sense the purported distinction between ‘mind’ and ‘body’ as theoretically separable entities (substance dualism) is taken to be false. I also argue that the brain/body version dualism (more acceptable in conventional science) implies analytic distinctions that are as obfuscating as they are useful. In the same sense, skill and intelligence are not opposed. In order to build a non-dualist theory of skill as intelligence, I draw upon neuroscience, particularly neurophysiology, phylogenetic neuroscience and paleocognition. The general argument is: the body grew a brain (and not the obverse), and thus skilled action in the world is what the brain is primarily for. I focus on proprioception and draw upon contemporary currents in predictive coding, aphantasia and other topic in order to build a framework for an holistic neurophysiology. This approach allows us to ‘decenter’ the brain and ask such questions as ‘where does knowledge reside, in multimodal networks? Such questions have direct bearing on questions of pedagogy- especially skill pedagogy. The conclusion is that conventional ‘know-that’ pedagogy is inapplicable to embodied skill learning, due to its inherently proprioceptive sensorimotor nature. Such learning – it is argued – is a both a process of building neural and neuromuscular capacity (hence the importance of practice), and the conscious accessing and training of such capacities. This perspective has direct bearing on diverse human practices, including sports, artisanal skills and playing musical instruments, indeed any practice where ‘virtuosity of recognized. Indeed the capacity to recognize expertise is (contra the Dunning Kruger effect) a  characteristic of expertise.

Watch a video presentation of Simon's talk here

Biography

Simon Penny is a longtime practitioner in computer-mediated arts practices and commentator on computing and internet culture. He was professor of Art and Robotics at Carnegie Mellon through the 1990s, where he built sensor-based embodied interaction environments utilising custom electronics and hardware. This led him to an extended critique of computing and AI discourses, which in turn led into ongoing research in embodied, distributed and enactive cognition. He published Making Sense – Cognition, Computing, Art and Embodiment (MIT Press 2017) and is woking on a new book Skill: Making Cognition Neuroscience. Penny is professor in Electronic Art and Design, Music and Informatics at University of California, Irvine (UIC). He established the Arts Computation Engineering (ACE) graduate program at UCI in 2003. He conceived and directed the A Body of Knowledge – Embodied Cognition and the Arts conference (UCI 2016), He trained in sculpture at South Australian School of Art and at Sydney College of the Arts. Papers, lectures and artwork documentation at simonpenny.net